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Seatings by Charles & Ray Eames

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Seatings by Charles & Ray Eames

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- Charles and Ray Eames are counted among the most important figures of twentieth-century design. Their work spans the fields of furniture design, filmmaking, photography and exhibition design. Vitra is the sole authorised manufacturer of Eames products for Europe and the Middle East. When you own an Eames product made by Vitra, you know it is an original. -

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- - Full collection on vitra.com - -

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+ Charles and Ray Eames are counted among the most important figures of twentieth-century design. Their work spans the fields of furniture design, filmmaking, photography and exhibition design. Vitra is the sole authorised manufacturer of Eames products for Europe and the Middle East. When you own an Eames product made by Vitra, you know it is an original. +

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+ + Full collection on vitra.com + +

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- Picture of Lounge Chair & Ottoman -
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Lounge Chair & Ottoman

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Charles & Ray Eames, 1956

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- The Lounge Chair, created by Charles and Ray Eames in the 1950s, was designed with the aim of combining an elegant appearance with ultimate comfort. It has been produced by Vitra using virtually the same methods ever since, and is now recognised as a great classic of twentieth-century furniture design. Offered in two sizes and various configurations with different types of leather upholstery covers, wooden shells and bases, the Lounge Chair is ideally complemented by the matching Ottoman. -

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+ Picture of Lounge Chair & Ottoman +
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Lounge Chair & Ottoman

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Charles & Ray Eames, 1956

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+ The Lounge Chair, created by Charles and Ray Eames in the 1950s, was designed with the aim of combining an elegant appearance with ultimate comfort. It has been produced by Vitra using virtually the same methods ever since, and is now recognised as a great classic of twentieth-century furniture design. Offered in two sizes and various configurations with different types of leather upholstery covers, wooden shells and bases, the Lounge Chair is ideally complemented by the matching Ottoman. +

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- Picture of Lounge Chair Plywood Group LCW -
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Plywood Group LCW

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Charles & Ray Eames, 1945/1946

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- The small Lounge Chair Wood (LCW) is an iconic design by Charles and Ray Eames that dates from the period of their early experiments with three-dimensionally moulded plywood. -

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+ Picture of Lounge Chair Plywood Group LCW +
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Plywood Group LCW

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Charles & Ray Eames, 1945/1946

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+ The small Lounge Chair Wood (LCW) is an iconic design by Charles and Ray Eames that dates from the period of their early experiments with three-dimensionally moulded plywood. +

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- Picture of Plywood Group LCM -
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Plywood Group LCM

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Charles & Ray Eames, 1945/1946

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- Due to the slender organic shapes of its seat and back shells, the LCM (Lounge Chair Metal) by Charles and Ray Eames quickly acquired the nickname 'potato chip chair'. -

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+ Picture of Plywood Group LCM +
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Plywood Group LCM

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Charles & Ray Eames, 1945/1946

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+ Due to the slender organic shapes of its seat and back shells, the LCM (Lounge Chair Metal) by Charles and Ray Eames quickly acquired the nickname 'potato chip chair'. +

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- Picture of Eames Plastic Armchair DAW -
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Eames Plastic Armchair DAW

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Charles & Ray Eames, 1950

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- Today the Plastic Chairs by Charles and Ray Eames seem like archetypes of the genre of chairs whose shell can be combined with diverse bases. The combination of the wooden base with the plastic shell of the DAW (Dining Height Armchair Wood Base) produces a rich contrast of materials. The seat shells are also available with a seat cushion or full upholstery. -

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+ Picture of Eames Plastic Armchair DAW +
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Eames Plastic Armchair DAW

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Charles & Ray Eames, 1950

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+ Today the Plastic Chairs by Charles and Ray Eames seem like archetypes of the genre of chairs whose shell can be combined with diverse bases. The combination of the wooden base with the plastic shell of the DAW (Dining Height Armchair Wood Base) produces a rich contrast of materials. The seat shells are also available with a seat cushion or full upholstery. +

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- Picture of Eames Plastic Armchair DAW -
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Lobby Chair ES 108

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Charles & Ray Eames, 1960

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- Charles and Ray Eames originally designed the Lobby Chairs to furnish lobby areas in New York City's Time & Life Building. Like all models of the Lobby Chair, the conference chair ES 108 has luxuriant leather-covered cushions that offer excellent comfort. The upholstery covers are available in different types of leather and in a wide range of colours. -

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+ Picture of Eames Plastic Armchair DAW +
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Lobby Chair ES 108

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Charles & Ray Eames, 1960

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+ Charles and Ray Eames originally designed the Lobby Chairs to furnish lobby areas in New York City's Time & Life Building. Like all models of the Lobby Chair, the conference chair ES 108 has luxuriant leather-covered cushions that offer excellent comfort. The upholstery covers are available in different types of leather and in a wide range of colours. +

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- Picture of Eames Fiberglass Side Chair DSW -
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Eames Fiberglass Side Chair DSW

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Charles & Ray Eames, 1950

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- For the Dining Height Side Chair Wood Base (DSW), Charles and Ray Eames combined the organically shaped seat shell with a four-legged wooden base. The pairing of plastic and wood gives the classic design a certain warmth and casual appeal. The seat shells can be fitted with seat cushions or full upholstery in a wide selection of fabric colours, enabling a multitude of individual configurations. -

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+ Picture of Eames Fiberglass Side Chair DSW +
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Eames Fiberglass Side Chair DSW

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Charles & Ray Eames, 1950

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+ For the Dining Height Side Chair Wood Base (DSW), Charles and Ray Eames combined the organically shaped seat shell with a four-legged wooden base. The pairing of plastic and wood gives the classic design a certain warmth and casual appeal. The seat shells can be fitted with seat cushions or full upholstery in a wide selection of fabric colours, enabling a multitude of individual configurations. +

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- Picture of Aluminium Chairs EA 115/116 -
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Aluminium Chairs EA 115/116

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Charles & Ray Eames, 1958

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- The Aluminium Chairs EA 115 and EA 116 offer superb comfort with their high backrest. The seating height is designed so that users can easily rise from the chair. Both versions are available with fabric, leather or mesh fabric covers in a selection of colours. EA 116 has a swivel seat, while EA 115 has a fixed base. -

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+ Picture of Aluminium Chairs EA 115/116 +
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Aluminium Chairs EA 115/116

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Charles & Ray Eames, 1958

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+ The Aluminium Chairs EA 115 and EA 116 offer superb comfort with their high backrest. The seating height is designed so that users can easily rise from the chair. Both versions are available with fabric, leather or mesh fabric covers in a selection of colours. EA 116 has a swivel seat, while EA 115 has a fixed base. +

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- Picture of Soft Pad Chairs EA 217/219 -
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Soft Pad Chairs EA 217/219

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Charles & Ray Eames, 1969

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- The office chairs EA 217 and EA 219 by Charles and Ray Eames are a perfect choice for the well-appointed home office. The tilt mechanism, which can be adjusted to the user's weight, is paired with soft cushions to provide excellent comfort. The higher backrest of EA 219 distinguishes it from the Soft Pad Chair EA 217. -

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+ Picture of Soft Pad Chairs EA 217/219 +
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Soft Pad Chairs EA 217/219

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Charles & Ray Eames, 1969

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+ The office chairs EA 217 and EA 219 by Charles and Ray Eames are a perfect choice for the well-appointed home office. The tilt mechanism, which can be adjusted to the user's weight, is paired with soft cushions to provide excellent comfort. The higher backrest of EA 219 distinguishes it from the Soft Pad Chair EA 217. +

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\ No newline at end of file diff --git a/src/assets/nls.svg b/src/assets/nls.svg new file mode 100644 index 0000000..f5bc8b3 --- /dev/null +++ b/src/assets/nls.svg @@ -0,0 +1,1225 @@ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + diff --git a/src/styles/_base.scss b/src/styles/_base.scss index 28362d9..ddfd522 100644 --- a/src/styles/_base.scss +++ b/src/styles/_base.scss @@ -3,8 +3,18 @@ html, body { margin: 0; padding: 0; - font-size: 1rem; + // font-size: 1.42vh; + font-size: 1.68vh; font-family: 'Courier New', Courier, monospace; + + @media (max-height: $breakpoint-height) { + font-size: 2.78vh; + // font-size: 3vh; + } + + // @media (max-width: $breakpoint-width - 1px) { + // font-size: 3vh; + // } } main { @@ -13,11 +23,24 @@ main { } svg { + display: block; + max-width: 80vw; + margin: 0 auto; fill: $nls-color-white; } h1 { - font-size: 300%; + font-size: 200%; + + @media (min-width: $breakpoint) { + font-size: 300%; + } +} + +h2 {} + +h3 { + font-weight: normal; } p { @@ -29,6 +52,52 @@ a { } img { + @media (max-width: $breakpoint) { + margin: 0 auto 2rem; + display: block; + } + mix-blend-mode: color-burn; - max-width: 100%; height: auto; + max-width: 100%; height: auto; width: 100%; +} + +article { + + header { + position: sticky; + bottom: 100vh; + height: 100vh; + overflow: hidden; + } + + footer { + top: 0; + position: sticky; + position: -webkit-sticky; + position: -moz-sticky; + position: -ms-sticky; + position: -o-sticky; + + section { + min-height: 200vh; + // padding: 5rem 3rem; + padding-top: 6rem; + + p { + margin: 1rem 3rem 6rem; + } + + object { + position: absolute; + bottom: 0; + display: block; + margin: 5rem auto 0; + width: 100vw; + + @media (min-width: $breakpoint-width) { + width: 80vw; + } + } + } + } } \ No newline at end of file diff --git a/src/styles/_helpers.scss b/src/styles/_helpers.scss index 78bc3ff..e5075bd 100644 --- a/src/styles/_helpers.scss +++ b/src/styles/_helpers.scss @@ -13,7 +13,7 @@ } .--paragraph { - $this-padding: 30vw; + $this-padding: 20vw; @media (min-width: $breakpoint) { padding-right: $this-padding ; diff --git a/src/styles/_variables.scss b/src/styles/_variables.scss index 477d8b4..d085eba 100644 --- a/src/styles/_variables.scss +++ b/src/styles/_variables.scss @@ -16,4 +16,7 @@ $nls-color-black: #0f0f11; // // RESPONSIVE // -$breakpoint: 980px; \ No newline at end of file +$breakpoint: 640px; +// $breakpoint-height: 360px; +$breakpoint-height: 568px; +$breakpoint-width: 640px; \ No newline at end of file diff --git a/src/styles/index.css b/src/styles/index.css new file mode 100644 index 0000000..6f56139 --- /dev/null +++ b/src/styles/index.css @@ -0,0 +1,246 @@ +html, body { + margin: 0; + padding: 0; + font-size: 1.42; + font-family: "Courier New", Courier, monospace; +} + +main { + display: flex; + flex-direction: column; +} + +svg { + display: block; + max-width: 80vw; + margin: 0 auto; + fill: #fff; +} + +h1 { + font-size: 200%; +} +@media (min-width: 980px) { + h1 { + font-size: 300%; + } +} + +h3 { + font-weight: normal; +} + +p { + line-height: 125%; +} + +a { + color: #fff; +} + +img { + mix-blend-mode: color-burn; + max-width: 100%; + height: auto; + width: 100%; +} +@media (max-width: 980px) { + img { + margin: 0 auto 2rem; + display: block; + } +} + +article header { + height: 100vh; +} +article footer { + height: 200vh; +} + +.--large { + font-size: 150%; +} + +.--center { + text-align: center; +} + +.--secondary { + opacity: 0.6; +} + +@media (min-width: 980px) { + .--paragraph { + padding-right: 20vw; + } +} +@media (min-width: 980px) { + .--paragraph.--center { + padding-right: 10vw; + padding-left: 10vw; + } +} + +article > section, +article > header, +article > footer { + top: 0; + position: sticky; + position: -webkit-sticky; + position: -moz-sticky; + position: -ms-sticky; + position: -o-sticky; + display: flex; + flex-direction: column; + justify-content: start; + height: 90vh; + overflow: hidden; +} +@media (min-width: 980px) { + article > section, +article > header, +article > footer { + height: 80vh; + } +} +article > section.--selected, article > section.--full-height, +article > header.--selected, +article > header.--full-height, +article > footer.--selected, +article > footer.--full-height { + height: 100vh; +} +article > section.--black, +article > header.--black, +article > footer.--black { + background: #0f0f11; + color: #fff; +} +article > section.--black .teaser:after, +article > header.--black .teaser:after, +article > footer.--black .teaser:after { + content: ""; + position: absolute; + top: 0; + left: 0; + height: 100%; + width: 100%; + background: linear-gradient(to top, #0f0f11 0%, rgba(15, 15, 17, 0) 50%); +} +article > section.--green, +article > header.--green, +article > footer.--green { + background: #79C28D; +} +article > section.--green .teaser:after, +article > header.--green .teaser:after, +article > footer.--green .teaser:after { + content: ""; + position: absolute; + top: 0; + left: 0; + height: 100%; + width: 100%; + background: linear-gradient(to top, #79C28D 0%, rgba(121, 194, 141, 0) 50%); +} +article > section.--blue, +article > header.--blue, +article > footer.--blue { + background: #5A99C3; +} +article > section.--blue .teaser:after, +article > header.--blue .teaser:after, +article > footer.--blue .teaser:after { + content: ""; + position: absolute; + top: 0; + left: 0; + height: 100%; + width: 100%; + background: linear-gradient(to top, #5A99C3 0%, rgba(90, 153, 195, 0) 50%); +} +article > section.--violet, +article > header.--violet, +article > footer.--violet { + background: #7E86CA; +} +article > section.--violet .teaser:after, +article > header.--violet .teaser:after, +article > footer.--violet .teaser:after { + content: ""; + position: absolute; + top: 0; + left: 0; + height: 100%; + width: 100%; + background: linear-gradient(to top, #7E86CA 0%, rgba(126, 134, 202, 0) 50%); +} +article > section.--purple, +article > header.--purple, +article > footer.--purple { + background: #C18FBD; +} +article > section.--purple .teaser:after, +article > header.--purple .teaser:after, +article > footer.--purple .teaser:after { + content: ""; + position: absolute; + top: 0; + left: 0; + height: 100%; + width: 100%; + background: linear-gradient(to top, #C18FBD 0%, rgba(193, 143, 189, 0) 50%); +} +article > section.--pink, +article > header.--pink, +article > footer.--pink { + background: #EC7A9A; +} +article > section.--pink .teaser:after, +article > header.--pink .teaser:after, +article > footer.--pink .teaser:after { + content: ""; + position: absolute; + top: 0; + left: 0; + height: 100%; + width: 100%; + background: linear-gradient(to top, #EC7A9A 0%, rgba(236, 122, 154, 0) 50%); +} +article > section .teaser, +article > header .teaser, +article > footer .teaser { + overflow: hidden; + padding: 5rem 3rem; +} + +.cards { + display: flex; + flex-wrap: wrap; + margin: 0 1rem; + padding: 0; +} +.cards__item { + flex: 1 1 30%; + list-style-type: none; + border: 1px solid #fff; + border-radius: 0.2rem; + padding: 2rem 3rem; + margin: 1rem 1rem; +} + +.columns { + display: flex; + flex-flow: column; + flex-wrap: nowrap; +} +@media (min-width: 980px) { + .columns { + flex-flow: row; + } +} +.columns__item { + flex-grow: 1; + flex-basis: 0; +} \ No newline at end of file diff --git a/src/styles/index.scss b/src/styles/index.scss index 9f41b3d..0410ffd 100644 --- a/src/styles/index.scss +++ b/src/styles/index.scss @@ -10,13 +10,17 @@ section { position: -ms-sticky; position: -o-sticky; display: flex; flex-direction: column; justify-content: start; - height: 100vh; + height: 90vh; overflow: hidden; @media (min-width: $breakpoint) { - height: 50vh; + height: 80vh; } +} +section, +article > header, +article > footer { // color: $nls-color-white; &.--selected {